Call of cthulhu old man7/9/2023 ![]() Galvez, reported hearing the sound of gigantic wings beating out in the forest. He also mentions that another policeman, named Joseph D. A horrified Legrasse remembers seeing a ring of charred human remains set up in a perimeter around the fire, inside which the celebrants danced and chanted. As they arrive, they see a mass ritual: a large bonfire around an eight-foot effigy of the same beast depicted in Legrasse and Wilcox's sculptures. Legrasse reports hearing the phrase decrypted from Webb's notes being chanted. Twenty policemen travel to the outpost, into the depths of the marshlands, which have a reputation for being "nightmare itself," following the sounds of tom-toms and chanting voices. On November 1st, 1907, the police received a summons from an area in rural Louisiana populated by descendants of the pirate Jean Lafitte, who alleged that a malevolent spirit was stealing women and children. A comparative analysis reveals a gibberish phrase that Legrasse remembers a swamp cult-member translating as, "In his house at R'lyeh dead Cthulhu waits dreaming." Inspector Legrasse then launches into a full account of how he came about the object as a policeman in New Orleans the previous year. The discovery of Webb's phonetic transcriptions exhilarate Legrasse, who recorded similar notations of the oral rituals from the swamplands of Louisiana. ![]() Its remoteness to various fields of study make it even more frightening to the men, though one man named William Channing Webb, Professor of Anthropology in Princeton University, reports having encountered the outline before-forty-eight years prior, on the West Greenland coast, where Webb once spent time transcribing the oral rituals of an Inuit priest. Legrasse tells Angell and others it was acquired in the swamplands of southern Louisiana in a raid on a "voodoo meeting." The experts conclude the idol is "infinitely more diabolical" than anything they have seen before.Īngell's describe the notes of terror Legrasse's object instilled, "a monster of vaguely anthropoid outline," with a "mass of feelers," clustered around its "octopus-like" face, crouched in a defensive position. Louis, at a meeting of the American Archaeological Society, Angell remembers being present for a Q&A session where a man named John Raymond Legrasse presented an old, grotesque statuette. Thurston begins to recount this second part in detail, entitled "The Tale of Inspector Legrasse." In 1908 in St. These matters comprise the subject of the second part of the "CTHULHU" manuscript, which reveals that Angell had encountered the "hellish outlines" reflected by Wilcox's clay bas-relief at least once before. ![]() Thurston admits he only recently became aware of the fact that Wilcox never had any knowledge of the "older" matters that made his dream fascinating to Professor Angell.
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